![]() ![]() He needed other people to worry about the specifics so they weren’t a hindrance while animating what he felt was important. The entire world of RWBY seemed to be a medium for the fight scenes Monty was famous for animating. Leave enough of the story behind fog to let the fans speculate and assume everything else. I believe this is what Monty wanted from creating RWBY. Backstories were told, secrets revealed, ships teased, plots advanced, but the unknowns were still numerous enough to make RWBY pliable in the numerous hands of the FNDM. With the drop of Volume 2, a certain amount of unknown variables left by Volume 1 filled themselves in, but more had taken their place. Here’s the thing about endless possibilities only one is ever chosen. The possibilities seemed endless, and the FNDM eagerly awaited Volume 2 with bated breath and high hopes. The future of RWBY looked bright, blindingly so. The unknown variables were just numerous enough and arranged just right so that anything was possible. ![]() Back when Volume 1 was all the FNDM ever knew of RWBY, the theories, speculation, headcannons, ships, all of the fan made content was based on little, but by no means unusable information. The FNDM loved RWBY as a whole, no one knew jack shit about it, and the wondrous mysticism remained. Headcannons, shipping, speculation, theory crafting, fan art, fan fiction, everything. This began the RWBY Fandom (FNDM) as we know it today. Volume 1 set the stage, introduced the characters, and lit the fire. It still wasn’t much, and speculation was still wild, but very temporary. When the rest of the trailers dropped, most people had abandoned their original theories and assumptions to align with what was cannon. No one became attached to their own theories, as too little was known to theorize anything substantial. ![]() With just one trailer, no one had a clue as to what any of the characters could do, who they were, or even if they were allies. People filled in the gaps themselves, and there were a lot of gaps. ![]() There was no context, no defined setting, no character development, no plot. We knew nothing about the show back then, and the speculation surrounding it was astronomical. The Weeknd responds with his thoughts on the chorus, singing: “ You’re so cold, I can see your breath, I swear/They told me not to fall in love/Wondering where it all went wrong/You were my poison all along.I see all of this drama about RWBY and the direction RT has gone with it, and I can’t help but think back to the trailer I saw four years ago.ĭo you remember what it was like to watch those three minutes and twenty-eight seconds for the first time? Do you remember the feeling deep in your gut that you knew something amazing was coming? Do you remember the mysticism and magic that specific trailer left deep within your heart? Dear Dad, First off, I would like to thank you for all that you have done for me. In a press release, Barry Hankerson, founder of Blackground Records, said: “I’m so excited to share this new song by Aaliyah and the very talented The Weeknd. UKMFA has sent an Open Letter to Dame Clare Marx, Chair of the General Medical Council, in which we detail our concerns about certain practices, relating to informed consent, evidence-based medicine and conflicts of interest, that are expected of UK doctors involved in the rollout of COVID-19 vaccines. Without you, I would honestly be nothing. Addressing your cover letter to a specific person in an organization can help it reach them and increase the chances they might review your application. Thank you for your loving support, and for always having my best interests at heart. Related: 7 Powerful Ways To Start a Cover Letter (With Examples) 2. Place your contact details in the top left corner of your open cover letter. Thank you for providing for me not only financially, but emotionally too. I wanted her adoring fans to get a special gift before the holidays and felt it was the perfect time to release a never-before-heard offering.”Įarlier this year, Aaliyah’s back catalog was released on streaming services for the first time as part of a new partnership with the label EMPIRE. Meanwhile, The Weeknd has also shared another new collaboration this week, this time teaming up with FKA Twigs on “Tears In The Club”. The track follows other recent joint projects the award-winning megastar has worked on, including Post Malone’s “One Right Now”, Swedish House Mafia’s “Moth To A Flame” and Rosalía’s “La Fama”. ![]()
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